FabFilter – Total bundle 2018.02.22 (VST, VST3, RTAS, AAX) [Win x86 x64] Total Bundle is a set of all FabFilter plugins. With this kit you get our professional equalizer, reverb, compressor, multiband dynamics, limiter, de-esser and gate / expander, creative multi. Native Instruments – Kontakt 5 5.5.2 VSTi, AAX x86 x64 FULL + UPDATE; ReFX Nexus 2 Pack VSTi, Presets, Expansions and Skins; Waves – Complete 2018.04.11 + FACTORY LIBRARIES (VST, VST3, RTAS, AAX) [Win x86 x64] Waves Complete 9r30 VST, VST3, RTAS x86 x64; PSP Audioware – All Plugins Pack [AU, VST, RTAS, MAC OSX][x32/x64].
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Total Bundle is a set of all FabFilter plugins. With this kit you get our professional equalizer, reverb, compressor, multiband dynamics, limiter, de-esser and gate / expander, creative multi-band distortion, delays, filters and synthesizers.
Now available FabFilter Pro-L 2, the main update plug-in Pro-L.
Thanks to four new algorithms, a new peak limiting mode, volume standard, surround sound support and many other new features, the Pro-L 2 has been improved in all respects, while remaining the standard of simplicity and efficiency
Now available FabFilter Pro-L 2, the main update plug-in Pro-L.
Thanks to four new algorithms, a new peak limiting mode, volume standard, surround sound support and many other new features, the Pro-L 2 has been improved in all respects, while remaining the standard of simplicity and efficiency
Release Note
Like always, we do proper checksum calculation and deal with full crypto,
except RSA1024 key is methematically not factorable in the human time and
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Funny Note :
The release by VR contains Volcano 2 key generated by R2R keygen (then bypass
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List of plugins
- FabFilter Micro – 1.18
- FabFilter One – 3.28
- FabFilter Pro-C – 2.06
- FabFilter Pro-DS – 1.10
- FabFilter Pro-G – 1.19
- FabFilter Pro-L – v1.24
- FabFilter Pro-L 2 – v2.01
- FabFilter Pro-MB – 1.17
- FabFilter Pro-Q 2 – 2.12
- FabFilter Pro-R – 1.04
- FabFilter Saturn – 1.18
- FabFilter Simplon – 1.28
- FabFilter Timeless 2 – 2.28
- FabFilter Twin 2 – 2.28
- FabFilter Volcano – 2.28
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New in version:
Mar 1, 2018
After releasing updates for all FabFilter plug-ins on February 15, we have discovered a bug in the FabFilter Pro-G expander plug-in that could cause it crash or work …
We have just released an update for all FabFilter plug-ins containing various bug fixes and improvements. This update is free for existing customers and FabFilter recommends everyone to update to the latest plug-in versions. So what’s new in this update?
All plug-ins :
Fixed possible crashes in Logic Pro X, which occasionally tries to initialize plug-ins with invalid / uninitialized buffers.
Fixed possible crash in Nuendo 7 on macOS when closing a plugin.
Sticking issues with key stroke stealing on Windows when using the Avid S6 control surface.
Fixed incorrect appearance of plug-in interfaces in Live 10 in High DPI mode.
The VST 2.4 plug-in will now automatically adapt its channel layout to match the audio / track it is placed on. Note that the separate “(Mono)” version of the plug-ins are still included for backwards compatibility.
Fixed a bug that could cause a crash when moving the mouse over the right edge of a menu with icons.
Small bug fixes and improvements.
Pro-Q 2 :
Fixed an issue with Natural Phase mode, which could sporadically lead to an incorrect filter frequency response.
Fixed a bug which caused the Permanent Spectrum Grab in Pro-Q 2 to disappear when the input of the VST3 plug-in became silent.
Fixed a bug that caused the spectrum analyzer to slow down when moving the mouse over the EQ display, with graphics acceleration disabled.
Sample rate information is EQ Match spectrum, so it can be reconstructed correctly when using a different sample rate.
In EQ Match, the ‘Save Input as Reference’ option now checks whether the plug-in is receiving audio on the input.
Fixed a bug that caused the colors of EQ bands 9 to 24 not to match with the highlight coloring around the floating band controls.
Fixed a small bug when right-clicking the solo button in the EQ parameter value display: this would cause the button to remain in the down state.
Pro-L 2 :
Slightly changed the true peak detection algorithm to produce possible small overreads equal to the ITU-R BS.1770-4 example algorithm, while still minimizing true peak underread. This makes Pro-L 2 easier to use in combination with MFIT (Mastered for iTunes) tools like AURoundTrip.
Fixed a small bug that could cause the True Peak level to display in orange in some cases, while it should still show in green.
Fixed a bug that would cause the Integrated level to reset to -INF after a bounce in Logic Pro X (and some other DAWs as well). From now on, the Integrated level is now only reset by clicking the ‘Reset’ button in the Loudness panel in the interface.
Fixed a small issue that could cause an incorrect order of ‘M’, ‘S’ and ‘I’ labeling under the three loudness meters.
Fixed an issue that caused Pro-L 2 to seem bypassed when used on Cubase.
Fixed a bug that caused Pro-L 2 to crash when adding the plug-in to a 4-channel track in the Reaper when using the Compact interface mode.
Other plug-ins:
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Pro-G :
Fixed possible crash on Windows when using 150% scaling (High DPI).
Pro-MB :
Fixed a bug that could cause the output to become silent in some rare occasions, when using 4x oversampling.
The updated plug-ins are fully compatible with previous versions. The latest versions and 30-day are available for download at www.fabfilter.com/download.
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Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Thumbsplus pro 7 serial.
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Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.
Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.
True independent stereo processing means that left and right channel separation is preserved. Resound is also capable or running in mono, or even mono to stereo.
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With optimized audio algorithms that won’t overload your processor, rock-solid stability, and easy integration with any MIDI hardware controller, Resound is ideal for live work. With a simple and intuitive interface, flexible Bank and Program management, and total parameter automation, Resound fits right into your studio environment.
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